User Guide Cancel

Configure clips for color management using Clip Modify

Last updated on Apr 2, 2025

Adobe Premiere Pro User Guide
Beta releases
1. Beta Program Overview
2. Premiere Pro Beta Home
Getting started
1. Get started with Adobe Premiere Pro
2. What's new in Premiere Pro
3. Best practices for updating Premiere Pro
4. Keyboard shortcuts in Premiere Pro
5. Accessibility in Premiere Pro
6. Frequently asked questions
7. Release notes
Hardware and operating system requirements
1. Hardware recommendations
2. System requirements
3. GPU and GPU Driver requirements
4. GPU Accelerated Rendering & Hardware Encoding/Decoding
5. How to install drivers from NVIDIA
Creating projects
1. Start a new project
2. Open projects
3. Move and delete projects
4. Work with multiple open projects
5. Work with Project Shortcuts
6. Backward compatibility of Premiere Pro projects
7. Open and edit Premiere Rush projects in Premiere Pro
8. Best Practices: Create your own project templates
Workspaces and workflows
1. Workspaces
2. Import and export FAQs
3. Working with Panels
4. Windows touch and gesture controls
5. Use Premiere Pro in a dual-monitor setup
Frame.io
1. Install and activate Frame.io
2. Use Frame.io with Premiere Pro and After Effects
3. Integrate Adobe Workfront and Frame.io
4. Invite collaborators to co-edit a project
5. Frequently asked questions
Import media
1. Importing
2. Importing from Avid or Final Cut
  1. Importing AAF project files from Avid Media Composer
  2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
3. Searching for imported media
  1. Media intelligence and Search panel
  2. Frequently asked questions
4. File formats
  1. Supported file formats
  2. Support for Blackmagic RAW
5. Working with timecode
Editing
1. Edit video
2. Sequences
3. Generative Extend
4. Cut and trim clips
5. Video
6. Audio
7. Text-Based Editing
  1. Text-Based Editing
  2. Text-Based Editing FAQs
8. Advanced editing
  1. Multi-camera editing workflow
  2. Editing VR
9. Best Practices
Video Effects and Transitions
1. Overview of video effects and transitions
2. Effects
3. Transitions
Titles, Graphics, and Captions
1. Properties panel
2. Captions
3. Motion Graphics Templates
4. Best Practices: Faster graphics workflows
5. Retiring the Legacy Titler FAQs
6. Upgrade Legacy titles to Source Graphics
Fonts and emojis
1. Color fonts
2. Emojis
Animation and Keyframing
1. Adding, navigating, and setting keyframes
2. Animating effects
3. Use Motion effect to edit and animate clips
4. Optimize keyframe automation
5. Moving and copying keyframes
6. Viewing and adjusting effects and keyframes
Compositing
1. Compositing, alpha channels, and adjusting clip opacity
2. Masking and tracking
3. Blending modes
Color Correction and Grading
1. Overview: Color workflows in Premiere Pro
2. Color Settings
3. Auto Color
4. Get creative with color using Lumetri looks
5. Adjust color using RGB and Hue Saturation Curves
6. Correct and match colors between shots
7. Using HSL Secondary controls in the Lumetri Color panel
8. Create vignettes
9. Looks and LUTs
10. Lumetri scopes
11. Timeline tone mapping
12. HDR for broadcasters
13. Enable DirectX HDR support
Color management
1. About color management
2. How color management works
3. Auto Detection of Log Camera Formats and Raw Media
4. Disable color management
5. Manage source media colors in the Program Monitor
6. Configure clips for color management using Clip Modify
7. Configure sequence color management
8. Customize color presets for new or existing sequences
9. Configure a sequence’s output color space
10. Color management options
11. Color management and Lumetri Color
12. Premiere Pro and After Effects color management compatibility
13. Working with color managed iPhone media
14. Frequently asked questions
Exporting media
1. Export video
2. Export Preset Manager
3. Workflow and overview for exporting
4. Quick export
5. Exporting for the Web and mobile devices
6. Export a still image
7. Content Credentials in Premiere Pro and Adobe Media Encoder
8. Exporting projects for other applications
9. Exporting OMF files for Pro Tools
10. Export to Panasonic P2 format
11. Create and export HDR videos for YouTube on Macintosh
12. Export settings
13. Best Practices: Export faster
Collaborative editing
1. Collaboration in Premiere Pro
2. Get started with collaborative video editing
3. Create Team Projects
4. Add and manage media in Team Projects
5. Invite and manage collaborators
6. Share and manage changes with collaborators
7. View auto saves and versions of Team Projects
8. Manage Team Projects
9. Linked Team Projects
10. Frequently asked questions
Long form and Episodic workflows
1. Long Form and Episodic Workflow Guide
2. Using Productions
3. How clips work across projects in a Production
4. Best Practices: Working with Productions
Working with other Adobe applications
1. After Effects and Photoshop
2. Dynamic Link
3. Audition
4. Prelude
Organizing and Managing Assets
1. Working in the Project panel
2. Organize assets in the Project panel
3. Playing assets
4. Search assets
5. Creative Cloud Libraries
6. Sync Settings in Premiere Pro
7. Consolidate, transcode, and archive projects
8. Managing metadata
9. Content Credentials in Premiere Pro and Adobe Media Encoder
10. Best Practices
  1. Best Practices: Learning from broadcast production
  2. Best Practices: Working with native formats
Improving Performance and Troubleshooting
1. Set preferences
2. Reset and restore preferences
3. Recovery Mode
4. Working with Proxies
  1. Proxy overview
  2. Ingest and Proxy Workflow
5. Check if your system is compatible with Premiere Pro
6. Premiere Pro for Apple silicon
7. Eliminate flicker
8. Interlacing and field order
9. Smart rendering
10. Control surface support
11. Best Practices: Working with native formats
12. Knowledge Base
Extensions and plugins
1. Installing plugins and extensions in Premiere Pro
2. Latest plugins from third-party developers
Video and audio streaming
1. Secure Reliable Transport (SRT)
Monitoring Assets and Offline Media
1. Monitoring assets
  1. Using the Source Monitor and Program Monitor
  2. Using the Reference Monitor
2. Offline media

Learn about configuring clips using Clip Modify, and ensure each clip is accurately identified and color-graded to perfection.

Color management only works correctly when the color space of each clip that’s used in the program is correctly identified. Adobe Premiere Pro should identify the color space metadata available in clips automatically, but if not, it could be because they either lack metadata, have incorrect metadata, or have metadata that Premiere Pro isn't able to read. In such cases, you can manually choose which color space each clip uses.

To ensure each clip is correctly identified once it’s been imported:

To access the source clip settings, do the following:
- Use the Source Clip controls in the Settings tab of the Lumetri Color panel or choose multiple clips in the Project Browser and select Clip Modify > Color.
- Open the Settings tab of the Lumetri Color panel and select the Source Clip disclosure triangle to access the Source Clip controls.
Access Source Clip controls to accurately identify and color grade your clip.
Turn on Preserve RGB to prevent color management from automatically converting that clip to the working color space in all sequences of that project where it's used. 
Use the Input LUT menu to choose or import a LUT with which to convert the color space of that clip to the currently configured working color space.

Note:

If the detected color space is incorrect and the source media is a camera raw clip, you should instead use the Color Space dropdown menu in the Source Settings for that clip in the Source tab of the Effect Controls panel to choose the correct color space you want to convert the clip to.

To use an input LUT to convert a clip to a known color space for automatic conversion to the working color space: 

To access the Source Clip settings, do one of the following:
- Select Clip Modify > Color, or use the Source Clip controls in the Settings tab of the Lumetri Color panel.
- Open the Settings tab of the Lumetri Color panel and select the Source Clip disclosure triangle to access the Source Clip controls.
Access Source Clip controls to accurately identify and color grade your clip.
Use the Input LUT menu to choose or import a LUT with which to convert the color space of that clip to a known color space. This can be useful when working with brand-new media formats for which there are no known LUTs to convert to your working color space.
Use the Media Color Space menu to choose the color space the LUT you selected was designed to output with.