Select the frame
Last updated on
May 23, 2023
- Photoshop User Guide
- Introduction to Photoshop
- Photoshop and other Adobe products and services
- Photoshop on the iPad (not available in mainland China)
- Photoshop on the iPad | Common questions
- Get to know the workspace
- System requirements | Photoshop on the iPad
- Create, open, and export documents
- Add photos
- Work with layers
- Draw and paint with brushes
- Make selections and add masks
- Retouch your composites
- Work with adjustment layers
- Adjust the tonality of your composite with Curves
- Apply transform operations
- Crop and rotate your composites
- Rotate, pan, zoom, and reset the canvas
- Work with Type layers
- Work with Photoshop and Lightroom
- Get missing fonts in Photoshop on the iPad
- Japanese Text in Photoshop on the iPad
- Manage app settings
- Touch shortcuts and gestures
- Keyboard shortcuts
- Edit your image size
- Livestream as you create in Photoshop on the iPad
- Correct imperfections with the Healing Brush
- Create brushes in Capture and use them in Photoshop on the iPad
- Work with Camera Raw files
- Create and work with Smart Objects
- Adjust exposure in your images with Dodge and Burn
- Auto adjustment commands in Photoshop on the iPad
- Smudge areas in your images with Photoshop on the iPad
- Saturate or desaturate your images using Sponge tool
- Content aware fill for iPad
- Photoshop on the web (not available in mainland China)
- Common questions
- System requirements
- Keyboard shortcuts
- Supported file types
- Introduction to the workspace
- Open and work with cloud documents
- Generative AI features
- Basic concepts of editing
- Quick Actions
- Work with layers
- Retouch images and remove imperfections
- Make quick selections
- Image improvements with Adjustment Layers
- Add a fill layer
- Move, transform, and crop images
- Draw and paint
- Draw and edit Shapes
- Work with Type layers
- Work with anyone on the web
- Manage app settings
- Generate Image
- Generate Background
- Reference Image
- Photoshop (beta) (not available in mainland China)
- Generative AI (not available in mainland China)
- Common questions on generative AI in Photoshop
- Generative Fill in Photoshop on the desktop
- Generate Image with descriptive text prompts
- Generative Expand in Photoshop on the desktop
- Replace background with Generate background
- Get new variations with Generate Similar
- Generative Fill in Photoshop on the iPad
- Generative Expand in Photoshop on the iPad
- Generative AI features in Photoshop on the web
- Content authenticity (not available in mainland China)
- Cloud documents (not available in mainland China)
- Photoshop cloud documents | Common questions
- Photoshop cloud documents | Workflow questions
- Manage and work with cloud documents in Photoshop
- Upgrade cloud storage for Photoshop
- Unable to create or save a cloud document
- Solve Photoshop cloud document errors
- Collect cloud document sync logs
- Invite others to edit your cloud documents
- Share files and comment in-app
- Workspace
- Workspace basics
- Preferences
- Learn faster with the Photoshop Discover Panel
- Create documents
- Place files
- Default keyboard shortcuts
- Customize keyboard shortcuts
- Tool galleries
- Performance preferences
- Use tools
- Presets
- Grid and guides
- Touch gestures
- Use the Touch Bar with Photoshop
- Touch capabilities and customizable workspaces
- Technology previews
- Metadata and notes
- Place Photoshop images in other applications
- Rulers
- Show or hide non-printing Extras
- Specify columns for an image
- Undo and history
- Panels and menus
- Position elements with snapping
- Position with the Ruler tool
- Web, screen, and app design
- Image and color basics
- How to resize images
- Work with raster and vector images
- Image size and resolution
- Acquire images from cameras and scanners
- Create, open, and import images
- View images
- Invalid JPEG Marker error | Opening images
- Viewing multiple images
- Customize color pickers and swatches
- High dynamic range images
- Match colors in your image
- Convert between color modes
- Color modes
- Erase parts of an image
- Blending modes
- Choose colors
- Customize indexed color tables
- Image information
- Distort filters are unavailable
- About color
- Color and monochrome adjustments using channels
- Choose colors in the Color and Swatches panels
- Sample
- Color mode or Image mode
- Color cast
- Add a conditional mode change to an action
- Add swatches from HTML CSS and SVG
- Bit depth and preferences
- Layers
- Layer basics
- Nondestructive editing
- Create and manage layers and groups
- Select, group, and link layers
- Place images into frames
- Layer opacity and blending
- Mask layers
- Apply Smart Filters
- Layer comps
- Move, stack, and lock layers
- Mask layers with vector masks
- Manage layers and groups
- Layer effects and styles
- Edit layer masks
- Extract assets
- Reveal layers with clipping masks
- Generate image assets from layers
- Work with Smart Objects
- Blending modes
- Combine multiple images into a group portrait
- Combine images with Auto-Blend Layers
- Align and distribute layers
- Copy CSS from layers
- Load selections from a layer or layer mask's boundaries
- Knockout to reveal content from other layers
- Selections
- Get started with selections
- Make selections in your composite
- Select and Mask workspace
- Select with the marquee tools
- Select with the lasso tools
- Adjust pixel selections
- Move, copy, and delete selected pixels
- Create a temporary quick mask
- Select a color range in an image
- Convert between paths and selection borders
- Channel basics
- Save selections and alpha channel masks
- Select the image areas in focus
- Duplicate, split, and merge channels
- Channel calculations
- Get started with selections
- Image adjustments
- Replace object colors
- Perspective warp
- Reduce camera shake blurring
- Healing brush examples
- Export color lookup tables
- Adjust image sharpness and blur
- Understand color adjustments
- Apply a Brightness/Contrast adjustment
- Adjust shadow and highlight detail
- Levels adjustment
- Adjust hue and saturation
- Adjust vibrance
- Adjust color saturation in image areas
- Make quick tonal adjustments
- Apply special color effects to images
- Enhance your image with color balance adjustments
- High dynamic range images
- View histograms and pixel values
- Match colors in your image
- Crop and straighten photos
- Convert a color image to black and white
- Adjustment and fill layers
- Curves adjustment
- Blending modes
- Target images for press
- Adjust color and tone with Levels and Curves eyedroppers
- Adjust HDR exposure and toning
- Dodge or burn image areas
- Make selective color adjustments
- Adobe Camera Raw
- Camera Raw system requirements
- What's new in Camera Raw
- Introduction to Camera Raw
- Create panoramas
- Supported lenses
- Vignette, grain, and dehaze effects in Camera Raw
- Default keyboard shortcuts
- Automatic perspective correction in Camera Raw
- Radial Filter in Camera Raw
- Manage Camera Raw settings
- Open, process, and save images in Camera Raw
- Repair images with the Enhanced Spot Removal tool in Camera Raw
- Rotate, crop, and adjust images
- Adjust color rendering in Camera Raw
- Process versions in Camera Raw
- Make local adjustments in Camera Raw
- Image repair and restoration
- Image enhancement and transformation
- Drawing and painting
- Paint symmetrical patterns
- Draw rectangles and modify stroke options
- About drawing
- Draw and edit shapes
- Painting tools
- Create and modify brushes
- Blending modes
- Add color to paths
- Edit paths
- Paint with the Mixer Brush
- Brush presets
- Gradients
- Gradient interpolation
- Fill and stroke selections, layers, and paths
- Draw with the Pen tools
- Create patterns
- Generate a pattern using the Pattern Maker
- Manage paths
- Manage pattern libraries and presets
- Draw or paint with a graphics tablet
- Create textured brushes
- Add dynamic elements to brushes
- Gradient
- Paint stylized strokes with the Art History Brush
- Paint with a pattern
- Sync presets on multiple devices
- Migrate presets, actions, and settings
- Text
- Filters and effects
- Saving and exporting
- Color Management
- Web, screen, and app design
- Video and animation
- Printing
- Automation
- Troubleshooting
Find answers to common questions when importing Photoshop assets in InDesign.
Topics in this article:
Try the following workflows that suit your design objectives:
| Workflow | How To Achieve |
|---|---|
| Adjust layer visibility | Adjust the visibility of top-level layers while placing a file or using the Object Layer Options dialog box. View the desired comp if your Photoshop file contains layer comps. Click Layer comps in Photoshop to learn more. |
| Remove background or wrap text |
Use paths, masks, and alpha channels in a Photoshop file to remove backgrounds or wrap text around graphics when importing in InDesign. Click Masks and alpha channels in Photoshop and Alpha channels in InDesign to learn more. |
| Assign a color profile |
Import a Photoshop file with an embedded ICC color management profile for InDesign to detect if color management is active. To override the profile in InDesign, use the Import Options dialog box or assign a different color profile. Click Work with color profiles in Photoshop and Manage colors in InDesign to learn more. |
| See spot colors | See spot-color channels in Photoshop files as spot colors in the InDesign Swatches panel. Click Spot color channels in Photoshop to learn more. |
| Preview your files | See the screen resolution version of your Photoshop files in the layout, even though the actual graphic file may be linked or embedded. See Image size and resolution in Photoshop and Link or embed graphic files in InDesign to learn more. |
The Place command is most frequently used to import Photoshop files to InDesign. Click Place graphics in InDesign to learn more about adding files to your InDesign document.
-
From InDesign, select the frame if you are importing into or replacing an existing frame.
If you are importing a graphic without a frame, ensure that nothing in the document is selected. Click Frames and objects in InDesign to learn more about importing graphics without a frame.
-
- Choose File > Place from the InDesign menu and select your file.
- When selecting multiple files to place, you’ll be able to position or size the selected files one at a time.
- If the new image doesn’t fit the frame, select Object > Fitting to fit the graphic into the frame. Click Place Photoshop files in InDesign to learn more.
Choose File > Place to place Photoshop file in InDesign
Choose File > Place to place Photoshop file in InDesign
You can also drag and drop Photoshop files to InDesign and maintain their attributes and editing capabilities.
Layer comps (or compositions) are a neat way to create, manage, and view multiple versions of your layouts or content in one Photoshop file. They reduce the need for redundant layers when importing a Photoshop file to InDesign.
You can save more than one design idea using layer comps.
Layer comps are the snapshot of a state of the Layers panel and record layer visibility, layer position, layer appearance, and layer comp selection.
With layer comps, you can experiment with layer styles, visibility, opacity, colors, effects, and placement using attributes and states while toggling between layers in the same Photoshop file. Click Layer comps to learn more about using them in Photoshop.
When you import this file to InDesign, you can choose from different states in the Layer Comp dropdown menu, instead of having to adjust the visibility of layers. This way you can import only one file and use layer comps as part of the file.
To avoid your Photoshop file from getting pixelated in InDesign, go to File > Place to select the file, instead of simply copying and pasting it.
Also, make sure you choose the right display settings to view files at full resolution in InDesign. (Click Graphics display to learn more about controlling graphics display performance.)
Note:
High Quality Display is checked by default in the View > Display Performance menu.
To prevent your Photoshop image from looking oversaturated in Indesign, ensure your color profiles match between both the applications (tagged images). Go to Edit > Color Settings to adjust settings for both.
Use your CMYK image in an InDesign document created with the default North American General Purpose Color Settings. The color settings set US Web Coated SWOP as the assigned CMYK profile and the policy is set to ignore linked profiles.
Use Assign Profile to tag your images with specific profiles or untag them by removing the profiles.
Select a different profile and assign it without converting colors to the profile space. This can change the appearance of the colors as displayed on your monitor.
Click Work with color profiles to learn more about assigning or removing a color profile in Photoshop and InDesign.
Got a question or an idea?
If you have a question to ask or an idea to share, come and participate in the Adobe Photoshop community and Adobe InDesign community. We'd love to hear from you!