User Guide Cancel

Working with color managed iPhone media

Search
Premiere Pro

Premiere Pro

Open app
  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
    5. How to install drivers from NVIDIA
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Invite collaborators to co-edit a project
    5. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. Searching for imported media
      1. Media intelligence and Search panel
      2. Frequently asked questions
    4. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    5. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Generative Extend
      1. Overview 
      2. Frequently asked questions
      3. Known issues
    4. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    5. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    6. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    7. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    8. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    9. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Change the appearance of text and shapes
      5. Apply gradients
      6. Linked and Track Styles
      7. Working with style browser
      8. Draw with the Pen tool
      9. Align objects
      10. Add Responsive Design features to your graphics
      11. Edit audio
      12. Edit video
      13. Mask with shape
      14. Create reveal animations using masking techniques
      15. Create, apply, and redefine text styles
      16. Add Responsive Design features to your graphics
    2. Captions
      1. Speech to Text
      2. Translate captions
      3. Download language packs for transcription
      4. Working with captions
      5. Check spelling and Find and Replace
      6. Export text
      7. Speech to Text FAQs
      8. Translate captions FAQs
    3. Motion Graphics Templates
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    4. Best Practices: Faster graphics workflows
    5. Retiring the Legacy Titler FAQs
    6. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Timeline tone mapping
    12. HDR for broadcasters
    13. Enable DirectX HDR support
  16. Color management
    1. About color management 
    2. How color management works
    3. Auto Detection of Log Camera Formats and Raw Media
    4. Disable color management
    5. Manage source media colors in the Program Monitor
    6. Configure clips for color management using Clip Modify
    7. Configure sequence color management
    8. Customize color presets for new or existing sequences
    9. Configure a sequence’s output color space
    10. Color management options
    11. Color management and Lumetri Color
    12. Premiere Pro and After Effects color management compatibility
    13. Working with color managed iPhone media
    14. Frequently asked questions
  17. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Content Credentials in Premiere Pro and Adobe Media Encoder
    8. Exporting projects for other applications
    9. Exporting OMF files for Pro Tools
    10. Export to Panasonic P2 format
    11. Create and export HDR videos for YouTube on Macintosh
    12. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    13. Best Practices: Export faster
  18. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  19. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  20. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  21. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Content Credentials in Premiere Pro and Adobe Media Encoder
    10. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  22. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Why do my Premiere Pro exports look washed out?
      5. Unable to migrate settings after updating Premiere Pro
      6. Green and pink video in Premiere Pro or Premiere Rush
      7. How do I manage the Media Cache in Premiere Pro?
      8. Fix errors when rendering or exporting
      9. Troubleshoot issues related to playback and performance in Premiere Pro
  23. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  24. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  25. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Easily work with color-managed iPhone media in Adobe Premiere Pro. The color management is automatically applied to iPhone media, ensuring accurate color and brightness for seamless editing.

What’s the right way to color manage iPhone Media?

Supported iPhones provide the option to record HDR video in the Camera Settings. HDR media enables you to create and export HDR videos with spectacular color and highlights on HDR-capable televisions, phones, or displays. 

Premiere Pro supports the export of HDR. However, you can also automatically convert your HDR source media to SDR to create videos that look correct on any display. 

HDR videos don’t look correct on SDR displays. The brilliant highlights of HDR appear clipped and unpleasant in SDR. You should check whether you’re shooting HDR iPhone media, and if you are, make sure you choose the right color management settings for the sequence you’re editing whenever you start creating a new video.

What’s the best way to get the right color output when using iPhone clips?

If you automatically created a new sequence via a selection of new iPhone clips (on import, via selection, or by drag and drop into an empty timeline), the default color management setting is set to Direct HLG (HDR) with the Output Color Space set to Rec. 2100 HLG. This sets you up to monitor and export HDR video in the original iPhone format, which will only look correct on HDR displays capable of HLG (like your phone).

If that’s what you want, you’re good to go (although you need to ensure that the Export Mode Preset you’re using supports HLG).

However, most users prefer to export SDR Rec. 709 media, which is most widely compatible with conventional displays. Alternately, many prefer to export HDR video as Rec. 2100 PQ, a more typical HDR standard. You can use either workflow by choosing the appropriate color setup or Output Color Space for your editing sequence.

Choosing the best color management setup for editing and exporting iPhone clips

If you’re just getting started with a new sequence that has iPhone clips in it, and you haven’t made any color adjustments yet, you can make things easier by choosing Sequence, selecting Sequence Settings, opening the Color Management tab, and choosing either Direct Rec. 709 (SDR) or Wide Gamut (Tone Mapped) from the Color Setup drop-down menu. Both color setups make it easier to adjust your clips, and both default to Rec. 709 for high-quality SDR monitoring and export.

Note:

Suppose you’ve discovered you’re using the Direct HLG (HDR) color setup, but you’ve already adjusted the color of your clips and don’t want to re-adjust the color of all your media. In that case, you can leave the color setup alone and choose Rec. 709 from the Output Color Space drop-down menu. When you do this, your sequence will be automatically converted to SDR for monitoring and export. While adjusting colors using the Direct HLG (HDR) color setup may not feel as easy as adjusting colors in Rec. 709 or Wide Gamut, there’s nothing wrong with it.

My sequence looks right in the Program Monitor, why does my export look wrong?

There are two main ways you could be getting the wrong color when exporting:

output looks clipped

Suppose you intend to export your sequence as SDR Rec.709 for playback on various conventional displays, but your rendered output looks clipped even though it looks great on your computer monitor. In that case, you may have accidentally chosen an HDR format as your Output Color Space, and your computer’s display can display that HDR image. At the same time, the exported media is clamped to SDR levels. If you intend to export SDR Rec.709, you must set the Output Color Space of your sequence to Rec.709 to correctly see what will be exported.

output looks like SDR

If, instead, your exported output ends up being SDR Rec.709 even though your Output Color Space is intentionally set to an HDR standard for HDR export, it’s possible that either the export mode Preset you’ve chosen doesn’t support HDR, the Format you’ve chosen (filtered based on the current preset) doesn’t support HDR, or the Render at Maximum Depth checkbox has been disabled (it must be turned on). Down-converted Rec.709 will be rendered in these cases even if your Output Color Space is set to HLG or PQ. The easiest solution is to choose a compatible preset by clicking the three-dot menu to the right of the Preset drop-down and choosing More Presets to open the Preset Manager to find a preset capable of HDR output. Type “HLG” or “PQ” into the search field to find all presets capable of rendering to one or the other HDR format, as you require, then choose the preset you want to use and select OK.

More like this

Talk to us

If you have questions about color management in Premiere Pro, reach out to us in our Premiere Pro community. We would love to help.

Get help faster and easier

New user?

Quick links

View all your plans Manage your plans
View quick links
Hide quick links

Legal Notices    |    Online Privacy Policy