User Guide Cancel

About color management

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
    5. How to install drivers from NVIDIA
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Invite collaborators to co-edit a project
    5. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. Searching for imported media
      1. Media intelligence and Search panel
      2. Frequently asked questions
    4. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    5. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Generative Extend
      1. Overview 
      2. Frequently asked questions
      3. Known issues
    4. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    5. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    6. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    7. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    8. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    9. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Edit audio
      5. Edit video
      6. Mask with shape
      7. Create, apply, and redefine text styles
    2. Essential Graphics panel (24.x and earlier) 
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Linked and Track Styles
      4. Working with style browser
      5. Create a shape
      6. Draw with the Pen tool
      7. Align and distribute objects
      8. Change the appearance of text and shapes
      9. Apply gradients
      10. Add Responsive Design features to your graphics
    3. Captions
      1. Speech to Text
      2. Translate captions
      3. Download language packs for transcription
      4. Working with captions
      5. Check spelling and Find and Replace
      6. Export text
      7. Speech to Text FAQs
      8. Translate captions FAQs
    4. Motion Graphics Templates
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    5. Best Practices: Faster graphics workflows
    6. Retiring the Legacy Titler FAQs
    7. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Timeline tone mapping
    12. HDR for broadcasters
    13. Enable DirectX HDR support
  16. Color management
    1. About color management 
    2. How color management works
    3. Auto Detection of Log Camera Formats and Raw Media
    4. Disable color management
    5. Manage source media colors in the Program Monitor
    6. Configure clips for color management using Clip Modify
    7. Configure sequence color management
    8. Customize color presets for new or existing sequences
    9. Configure a sequence’s output color space
    10. Color management options
    11. Color management and Lumetri Color
    12. Premiere Pro and After Effects color management compatibility
    13. Working with color managed iPhone media
    14. Frequently asked questions
  17. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Content Credentials in Premiere Pro and Adobe Media Encoder
    8. Exporting projects for other applications
    9. Exporting OMF files for Pro Tools
    10. Export to Panasonic P2 format
    11. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    12. Best Practices: Export faster
  18. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  19. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  20. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  21. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Content Credentials in Premiere Pro and Adobe Media Encoder
    10. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  22. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Why do my Premiere Pro exports look washed out?
      5. Unable to migrate settings after updating Premiere Pro
      6. Green and pink video in Premiere Pro or Premiere Rush
      7. How do I manage the Media Cache in Premiere Pro?
      8. Fix errors when rendering or exporting
      9. Troubleshoot issues related to playback and performance in Premiere Pro
  23. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  24. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  25. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Learn about color management in Adobe Premiere Pro.  

Color management in Premiere Pro makes it easier to use wide-gamut camera raw and log-encoded media, simpler to output a program to multiple formats, and faster to achieve great color. 

Supporting RAW and log formats from the most popular cameras, the color management system automatically transforms your raw and log media to the color space of your choice with high-fidelity tone mapping, enabling higher-quality image processing, improved video monitoring, and better sequence export. 

Color management in Premiere Pro also allows users to use a wide gamut working color space in three of our new color management "wide gamut" presets for even better-looking results. 

Overview of color management features

Each sequence’s color management is easily configurable from the Color Setup menu found within the Color tab that’s available when creating a new sequence or in the Settings tab of your Lumetri Color panel. Thus, you can make real-time color management adjustments and see the result in your Program Monitor without having to switch back and forth between your timeline and your settings. 

By default, color management works similarly to previous Premiere Pro color workflows when using the default Direct Rec.709 (SDR) preset. Alternatively, you can choose to use one of the wide-gamut color processing presets to maximize the image quality of all grading and timeline effects when using wide-gamut or wide-latitude source media. Regardless, Lumetri Color and other effects have been made color space aware, so they work well in any preset.  

You can turn off automated color management from within the Color Setup menu. This is useful for pass-through workflows when you don’t want the color space of media processed at all or when engaging in traditional display-referred grading workflows using LUTs and manual adjustments. 

When color management is turned on, Premiere Pro automatically color manages camera raw media, including Apple, ARRI, Canon, RED, and Sony raw media formats. If color management is enabled, raw clips will be automatically processed and converted to your output color space of choice.  

Note:

The Color Manage Auto Detected Log and Raw Media checkbox in the Project group of the Settings tab of the Lumetri panel must be turned on for clips to be automatically detected for color-management. This setting remains on once you've turned it on, but lets you disable clip auto detection when it's not convenient for your workflow.

The Override Media Color Space menu supports the most commonly used color spaces for supported cameras and formats, making it easy to color manage media that were either recorded or transcoded to standard file formats such as QuickTime and MXF without needing to track down the right input LUT.  

The Program Monitor, Video Scopes, Transmit, and Media Export all output the image as it appears after conversion to the Output Color Space setting. While the working color space lets you choose how media is processed, the Output Color Space lets you choose the specific color space with which you want to monitor (SDR, HDR PQ, or HLG) and deliver your program. This guarantees that the working color space never needs to be changed while making it easy to change color spaces at any time to create multiple deliverables using the same grade (e.g., delivering both HDR and SDR versions of the same sequence).

The Source Monitor provides a Monitor Color Management submenu in the wrench menu that provides different options for showing your source media. By default, the gang to Active Sequence Color Management setting lets you preview how media in the Source Monitor looks using the color management settings of the sequence that currently appears in the Program Monitor. 

Improved tone mapping algorithms and gamut compression settings improve quality when automatically converting wide-gamut source media to standard dynamic range. Additionally, there are now two ways of using tone mapping, on input or on output, described in the next section of this document.  

The functionality of the Auto Detect Log Video Color Space setting has been renamed Color Manage Auto Detected Log and Raw Media to reflect the new color management capabilities.

Premiere Pro color management has been improved to enable smoother interoperability and color consistency when using Dynamic Link to round-trip color-managed sequence clips between Premiere Pro and After Effects whenever you use the Replace with After Effects composition command.

If you import projects and sequences created in older versions of Premiere Pro that have grading and effects already applied, these will automatically be configured to appear the same as before, while the color management will function the same as before. If you want to override these legacy settings and use the new color management, you can override the custom settings the sequence was set up with and choose a different color management preset or undo if desired.  

More like this

Talk to us

If you have questions about color management in Premiere Pro, reach out to us in our Premiere Pro community. We would love to help.

Get help faster and easier

New user?